Friday, November 16, 2018

The Strypes Have Split

YES THE STRYPES HAVE SPLIT. Let me possibly be the first American type person who talks about music and stuff to tell you

The Strypes have split. They're officially "off".  They have ceased to
be. They are pining in the fjords. They are an ex-band.  My sky rains. You should know by now you can trust me. I'm not showing you the statement. Go to their official website for the proof. Go look for yourself - I'm not your Mom.

AW! Look at them here barely older than fresh sperm. "Blue Collar Jane" from the 2013 album Snapshot.

Saturday, September 3, 2016

The Rikk Agnew Band To Release Full Length Debut

LOS ANGELES, CA (MONDAY AUGUST 29, 2016) – Frontier Records announced today that punk legend Rikk Agnew is set to release the debut full-length LP Learn from The Rikk Agnew Band ( on October 14 on vinyl and digital formats. 
Described as the “Brian Wilson of Punk”, Rikk Agnew’s latest LP Learn comes 30+ years after one of the most fertile two-year musical stints in recent memory. From 1980 to 1982, Agnew was a major musical force in iconic lineups of both O.C. hardcore band Adolescents and the goth icons Christian Death, yet also released his own landmark debut solo album, All By Myself. That same power and energy is present on The Rikk Agnew Band’s Learn, a hard-charging, high octane, in-your-face album of punk rock fury. Produced by another prominent member of the Southern California punk scene of the late 1970s and 1980s, Paul Roessler (The Screamers, 45 Grave, Geza X), Learn is a reflection of Agnew’s raw and unrepentant look at life today. After years of self-destruction bluntly chronicled in a raw cover story in the OC Weekly in 2014, Agnew today is both healthy and happy for the first time in decades. 
But don’t for a minute think the years have softened Agnew whatsoever— the 12 blistering tracks on Learn are very much classic Rikk Agnew tunes that rightfully labeled him as the “original OC punk”. “Boulevard” could easily have been found on the Adolescents famed Blue Album while “Punk Belly” is a poke (a joke?) at Agnew’s once protruding mid-section that is anything but fat now. “Deprogrammer”, on the other hand, is a six-minute epic blast of anthemic yearning that leans heavily on the All By Myself years. It’s a very, very complex and thoughtful record that happens to be a punk rock head-butt to the senses. Further proof Agnew hasn’t softened is his choice of the cover art: two shocking images of the ravages of drug use and harm inflicted on oneself and others mirror on his own experiences throughout the years. Clean and sober for several years now, Agnew is a force to be reckoned with. 
Track listing is:
1. Bash
2. Boulevard
3. Cat Fight
4. Deprogrammer
5. I Can’t Change The World
6. Kitten Robot Blues
7. Learn
8. Life Stinks
9. Nelson’s Blood
10. Punk Belly
11. Ripped to the Tits
12. Think of the Children

Monday, January 18, 2016

Palehound Tours With Torres & Bully

 Palehound Tours With Torres & Bully

1/18: Pittsburgh, PA @ Club Cafe*
1/19: Washington, DC @ Rock & Roll Hotel*
1/20: Philadelphia, PA @ Johnny Brenda's*
1/21: New York, NY @ Bowery Ballroom*
1/22: Allston, MA @ Great Scott*
1/23: Durham, NC @ The Pinhook^
1/24: Asheville, NC @ The Mothlight^
1/26: Charlotte, NC @ Snug Harbor^
1/27: Jacksonville, FL @ Jack Rabbits^
1 /28: Tampa, FL @ Crowbar^
1/29: Orlando, FL @ The Social^
1/30: Gainesville, FL @ The Atlantic^
1/31: Atlanta, GA @ Drunken Unicorn^
2/19: Seattle, WA @ The Crocodile#
2/20: Portland, OR @ Mississippi Studios#
2/24: San Francisco, CA @ Noise Pop#
2/25: Los Angeles, CA @ The Echo#
  ** = w/ Torres*

*^ = w/ Bully*

*# = Headlining*

Friday, January 15, 2016

Gorgeous Song From Duo Victoria + Jean

Red alert! I am in love with this music.  

Belgo-Swedish avant-pop duo Victoria + Jean are partners in both life and career. Have a look at the video for their gorgeous song

"Härligt Sverige," or close your eyes and enjoy:

Victoria + Jean are performing tonight at SXSW in support of their first full length album Divine Love.
Their recording credits feature more than a few notable names such as John Parish (PJ Harvey), Ian Caple (Tricky, Tindersticks), Christoffer Berg (Depeche Mode, The Knife), and Rob Kirwan (U2, The Horrors).
You may listen to a 4 song sampler here via Soundcloud:

Wednesday, December 9, 2015

Lizzo Presents a statement about her Powerful Video My Skin

Lizzo Playing 'Late Show With Stephen Colbert' Tomorrow.

 Big GRRRL, Small World LP available Friday December 11 on BGSW Records.

This is a summoning of bodies: all shapes, sizes and shades to unite in their pride, and wear their skin like the gift it is.

My Skin literally matters. It matters because it’s the largest organ on my body. Because it’s my exterior. It’s been stretched, sunburnt and covered in glitter. It’s the first thing you notice about me. My skin is dark brown, but if you asked someone they would say it’s black. My blackness is my largest assumed ‘accessory.’ Not my gender, religion or wealth. Because of it, I’ve experienced countless misconceptions from people— neck rolls and gratuitous gestures, overt southern dialects superimposed onto my own voice, perceived “ghetto-ness.” I laugh it off because it’s seemingly harmless, but when we think about where this originates it’s actually poisonous. Being black in America is a unique experience. All people have a unique American experience, but I can’t speak for all people. I can only speak from my unique experience as a black woman. The “African-American” myths that cloud non-black people's judgment are taken from the worst part of our struggle and paraded as fact. I could write this essay trying to debunk “black-on-black crime” and fill it with pleading persuasive prose, but I’d rather just tell you what I know.
I met a boy who told me he “thought I was cute, but not anymore” because he thought I was “lighter skinned in person.” That is what I know. That is a fact. If you are not a person of color please ask yourself if that has ever happened to you. No? Now imagine if it did. I’ve heard of rejection for being “too fat” or “too skinny”, "too poor", even “too ugly” but guess what? Bodies change, money comes and goes and beauty is in the eye of the beholder. Skin does not change. It is our permanent marker in this life; a calling card to ethnic pride. I was appraised and judged based on the color of my skin, and trust me I am not the only one.

Twelve days ago while laying in bed I heard several cop cars whizz down my street with deafening sirens. As a north Minneapolis resident living next to the precinct, it was something I had gotten used to. Shortly after I found out a young man was killed while in handcuffs. His name was Jamar Clark. I don’t think it’s fair to kill someone if they’re already in handcuffs, but I found out many Americans beg to differ. As the days passed, the crowd at the 4th Precinct has grown and grown. Activists from Black Lives Matter, the NAACP and many others that fight for human rights began to camp out and protest. People were hurting and crying; the pain of losing someone coupled with the pain of thousands of slain black men and woman hung like a heavy mist in my neighborhood. The leaders were benevolent and strong, yet another emotion began to creep in from outsiders and agitators: Fear.

Where does this fear come from? Why do people justify the execution of a man in handcuffs by saying the officer “feared for his/her life”? What is there to fear if a person is unarmed and detained? And then it hit me: his skin. His blackness was seen as a lethal weapon and used against him. Logically unsound yet so ingrained in American history is the vilification of its’ black citizens. In studies conducted by researchers in the field of child development, time and time again 4 to 10 year-olds favored lighter skinned dolls and believed that darker skinned dolls were “bad”. Stereotypical profiling begins at a young age. We are constantly bombarded with subliminal and outright prescriptive messages from the media, our parents and our environment. So in the same way people pet my hair and call my afro “fun”, black men are seen as ‘dangerous’ and are avoided like it’s second nature. My sister’s best friend is a 6’2” black man with dreadlocks, he has never hurt a person a day in his life but still has to vie for the minimum amount of respect that keeps pedestrians from clutching their purses and crossing the road when he walks by them. He’s suddenly ‘armed and dangerous’ but all he has is his skin.

We are reduced to our stereotypes. We ALL are. But black stereotypes have made us the pariah of the privileged. “My Skin” is a stance against the racial profiling of ALL ethnicities and the blind hatred that poisons our perceptions. I performed in this music video being fully aware of the consequences. The amount of shame people place on others’ bodies has evolved beyond the quiet murmurs behind backs. "Body shaming" and hateful, stereotypical slurs are flippantly exchanged on social media and youtube comments. This video will be seen, scrutinized, laughed at, hated, loved, but most importantly appreciated. My afro-hair, fat, muscle, bone and melanin are not a punchline-- I was born in it, and I will proudly wake up in it everyday. This is a summoning of bodies: all shapes, sizes and shades to unite in their pride, and wear their skin like the gift it is. -Lizzo

Friday, December 4, 2015

Miami's Krisp To Release More Synth Infused Music

 Krisp are a synth pop band from Miami Florida (but don't hold that against them), who formed in 2011.  I am loving their hooks from the upcoming album Sonic Monarch which is due January 15 from Gummdrops.  Yes the official description of their music strikes me as silly. They are being promoted as an "indie rock, chill wave, dance band" which means absolutely nothing to me, but I'm a curmudgeon of a blogger when it comes to labels.  I will say that they bring some of the good bits from the early and mid '80s electronic bands, but manage to blend it with a positive attitude that feels organic and cheery. They seem to be happy to be making music and that vibe shines through on their record. It makes me curious to see what I missed from their EP Mamani Vice.

When asked how their sound has progressed, Alex Lopez told Indie Shuffle, “On our first EP, Mamani Vice, we used a lot of synths and electric drums. For the new material on Sonic Monarch, it’s more organic, because its instrument-driven. We’re still using Charlie Wood’s synths, but not Juan’s or mine. We’ve got a funk/indie/electronic style going.”Band member Juan Ledesma comments, “The way we write has always been through practices and jam sessions. The tracks are always developed collaboratively and we adjust each other’s playing to accommodate our collective sensitivities.” Have a listen for yourself via Soundcloud:

About Gummdrops:  Gummdrops is a talent house based in South Florida, servicing the best musicians and performing artists in the region.

Larytta Release :Something Good" Remixes

In early 2015, Creaked Records released Larytta's sophomore album Jura. "Something Good" is the fourth single taken from Jura, and the track is being released today alongside two remixes of the track: one from Swiss hip-hop/trap producer FlexFab (who has also contributed a remix to XL-duo Ibeyi), and one French tropical bass aficionado Rafael Aragon.  Stream the "Something Good" remixes here:

BIO: Larytta is the Swiss electronic group formed by Guy Meldem and Christian Pahud. Founded in 2004 by Pahud and Meldem, Larytta debuted their off-kilter electronic style two years later with Difficult Fun — an album that XLR8R called "a hallucinogenic ride through an amusement park of off-kilter beats, soothingly psychotic vocals, and multi-dimensional melodies." Six years later, Larytta released their effervescent follow-up, Jura, again delivering an entirely idiosyncratic — if occasionally distorted — take on electronic pop music. Lead single "Osama Obama" received a colorful and comical animated video treatment that exemplifies the group's tongue-in-cheek approach.

Noel Fielding & Kasabian's Serge Pizzorno Reveal Xmas Song Ft. Idris Elba

Noel Fielding & Kasabian's Serge Pizzorno Under the Moniker Loose Tapestries Reveal Video for Xmas Song Ft. Idris Elba

Noel Fielding (Mighty Boosh, Luxury Comedy) and Kasabian's Serge Pizzorno under their musical pseudonyms Vacuum Cloud and The Decision, respectively, have released a video featuring a rap by actor Idris Elba (The Wire). The video "Can't Wait For Christmas" was directed by Nigel Coan who has previously directed Fielding's Fielding's surreal series Luxury Comedy.

Speaking earlier to NME Pizzorno revealed,
"What's so amazing about Loose Tapestries is that it can be absolutely anything. On this new record there's an all-out pure disco tune, which I could never get away with usually. It's got the most incredible line in it that goes, 'Cocks in all directions / From flaccid to erections.' I don't think it gets better than that."

The new single "Can't Wait For Christmas" features the lyrical gems "Wanna thank you baby for this blue exercise bike and by February I'll be tapping up your sister"  and "Feels so good to cover my body in a bucket of goose fat.. and my wife is a walnut. A Christmas Walnut." Clearly this is the Christmas song the world has been lacking, so thank you Noel Fielding and Serge Pizzorno for the gift that will keep on "coming and coming" every year.

Loose Tapestries: Can't Wait for Christmas

Subscribe to loose tapestries on youtube for more goodies... we can only hope.

Tuesday, October 6, 2015

Modern Baseball Issue Free Single & Announce Tour Dates With PUP

Modern Baseball issue free download for their single "Revenge Of The Nameless Ranger" and Announce Tour Dates With PUP

"Revenge of the Nameless Ranger" was recorded, mixed and mastered in Philadelphia and produced by Modern Baseball. I like this track which deals with personal growth, change, and the awkward nature of the end of a relationship. Download it from Bandcamp.

 Modern baseball recently announced reissues of their first EP The Nameless Ranger and "Couples Therapy" their 2012 split with Marietta. Remastered for vinyl by Ryan Schwabe, this is the first vinyl pressing for both records. Pre-orders for the 10" of The Nameless Ranger and the 7" of "Couples Therapy" are available via Lame-O Records.

The band has announced multiple tour dates, many with PUP. 

Tour Dates:
10/27 - Baltimore, MD - Ottobar#
10/28 - Virginia Beach, VA - Shakas#
10/29 - Greensboro, NC - Green Street#
10/30 - Gainesville, FL - FEST
10/31 - Gainesville, FL - FEST
11/01 - Gainesville, FL - FEST
11/03 - Tampa, FL - The Orpheium#
11/04 - Atlanta, GA - The Masquerade#
11/05 - Birmingham, AL - Saturn#
11/07 - Houston, TX - Walters#
11/08 - San Antonio, TX - Paper Tiger#
11/09 - Dallas, TX - Trees#
11/11 - Albuquerque, NM - The Works#
11/12 - Tuscon, AZ - Club Congress#
11/13 - Anaheim, CA - House Of Blues#
11/14 - San Deigo, CA - Quaryard#
11/15 - Oakland, CA - Oakland Metro#
11/17 - Portland, OR - The Analog Theater#
11/18 - Seattle, WA - Neumos#
11/20 - Salt Lake City, UT - The Complex#
11/21 - Denver, CO - The Marquis Theater^
11/22 - Omaha, NE - The Waiting Room#
11/24 - St. Louis, MO - Firebird#
11/25 - Iowa City, IA - Gabe's#
11/27 - Burnsville, MN - The Garage#
11/28 - Indianapolis, IN - The Deluxe#
11/29 - Palatine, IL - Durty Nellies#
12/01 - Columbus, OH - Skully's#
12/02 - Detroit, MI - St. Andrews Hall#
12/03 - Toronto, ON - Opera House#
12/04 - Ottawa, ON - Ritual#
12/05 - Montreal, QC - Les Foufounes Electriques#
12/06 - Albany, NY - Upstate Concert Hall#
12/08 - Providence, RI - The Met#
12/09 - New Haven, CT - Toad's Place#
12/10 - Amityville, NY - Revolution Bar & Music Hall#
12/11 - New York, NY - Webster Hall#
12/12 - Philadelphia, PA - Union Transfer
 # w/ PUP, Jeff Rosenstock, Tiny Moving Parts ^ w/ Jeff Rosenstock, Tiny Moving Parts